DIT Rig Upgrades

Davis and Pedro have been hard at work testing workflows with the new Mac Pro to build out an improved transcoding and on-set color correction rig. The goal is to help film and commercial production companies deal with a variety of camera formats and logistics. Although the trend in the current industry is one of smaller and smaller budgets, minimizing crews and services, the need for standardized editing formats is still important, particularly for long-form projects. Providing a workflow that makes it less costly to go back to the original camera files for color correction and finishing – and doing so efficiently – will save headaches and money at the end of post.

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